Water lily / Nufar
The beauty in God’s dream
slowly blooms, petal by petal,
watched quietly by the whole being
in a breath of silent bliss.
![IMG_2110[1]](https://memyselfandela.files.wordpress.com/2015/08/img_21101.jpg)
Frumusetea din visul lui Dumnezeu
Infloreste incet, petala cu petala,
privita tacut de o intreaga faptura
intr-o rasuflare de beatitudine fara zgomot.
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22 words / 22 de cuvinte , Memyselfandela – Adela Galasiu, August 2015
Photo: Memyselfandela – Adela Galasiu, August 2015
Soul / Suflet
The soul levitates above the ground
longing dreamy to
move its roots into heaven.
The matter’s consistency
stridently burdens the light
reflected by the heart.
Some say we cannot stop the moment
yet I still believe that we can
trap it within the soul’s walls.
Sufletul leviteaza deasupra pamantului
tanjind visator sa
isi mute radacinile in cer.
Consistenta materiei
ingreuneaza in mod strident lumina
reflectata de inima.
Unii spun ca nu avem posibilitatea sa oprim clipa
si totusi eu inca mai cred ca o putem
tine prinsa intre peretii sufletului.
45 words / 45 de cuvinte, memyselfandela – Adela Galasiu, August, 2015
Photos: Adela Galasiu, Wild Strawberries/ Fragi
Eyes / Ochi
In a far away land there is a city with hundreds of wise houses. Each house has a roof, a soul and an attic with two windows. Eyes scrutinize the birds that get back to their nests late at night, the grannies that bake homemade bread, the blatant children playing outside, the flowers raising their heads in the sun, the cats that purr in hidden corners, the dogs hiding their precious bones, the women that dream of the return of their husbands and the husbands dreaming of other women.
Every day opens a new color, a new hope, ends a life and begins others. Every evening sends to sleep all the rippled memories of the day, all the children and cats and birds and wives and husbands. Some of the grannies will sleep longer, other babies will get born out of the dreams of past nights. Some of the flowers will grow seeds, others will bloom, the stars will seem to rotate on the sky awaiting the rays of the same sun that has opened the eyes of all the children and women and cats and husbands and grannies and birds.
When morning comes the smell of coffee invades the streets. It fills up the sky and the staircases of all houses. As eyes open life vibrates, noises clash in the air, birds sing again, cats lick meticulously their paws and wash their furs with slow movements on the edge of wide open windows, dogs inspect every corner of their territory, children moan instead of waking up, wives pack lunch for their husbands, husbands go to work hoping that the day will be better that the other days. And even though life seems the same, it is always different.
In the city where houses have eyes life can still flow in unexpected patterns. 
Houses have eyes in Sibiu, Romania.
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Intr-o tara indepartata exista un oras cu sute de case intelepte. Fiecare casa are un acoperis, un suflet si un pod cu doua ferestre. Ochi privesc cu mare atentie pasarile care se intorc la cuiburile lor noaptea, bunicile care coc paine de casa, copiii galagiosi care se joaca pe afara, florile care isi ridica frumosul cap in soare, pisicile care torc in colturi ascunse, cainii care isi ascund mult iubitele oase, femeile care viseaza cu ochii deschisi la intoarcerea barbatilor lor si barbatii care viseaza la cu totul alte femei.
Fiecare zi deschide o noua culoare, o noua speranta, sfarseste o noua viata si incepe altele. Fiecare seara trimite la culcare toate amintirile ondulate ale zilei, toti copiii si toate pisicile si toate pasarile si toate nevestele si toti barbatii. Unele bunici vor dormi mai mult, alti copii se vor naste din visele noptilor care au trecut. Unele flori vor face seminte, altele vor inflori, stelele vor parea ca se rotesc pe cer asteptand razele aceluiasi soare care a deschis ochii tuturor copiiilor si femeilor si pisicilor si barbatilor si bunicilor si pasarilor.
Cand vine dimineata aroma de cafea napadeste toate strazile. Umple cerul si casele scarilor. In timp ce ochii se deschid, viata vibreaza, zgomote se ciocnesc in aer, pasari canta din nou, pisici isi ling meticulos labele si isi spala blana cu miscari foarte tacticoase pe marginea ferestrelor larg deschise, caini inspecteaza fiecare colt al teritoriului lor, copii gem in loc sa se trezeasca, neveste impacheteaza pranzul pentru barbatii lor, barbati merg la lucru sperand ca ziua va fi mai buna decat alte zile. Si desi viata pare la fel, este mai totdeauna diferita.
In orasul in care casele au ochi viata poate inca sa se scurga in tipare cu totul neasteptate.
Casele au ochi in Sibiu, Romania.
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300 words / 300 de cuvinte,
Story and Translation / Poveste si Traducere : memyselfandela / Adela Galasiu October 2013 / July 2015
Photo- Photobucket
Barefoot Soul / Suflet Descult
My barefoot soul walks on your old stone paved streets
Resting quiet in front of Holy Wisdom…
Wanders like a sleepwalker among lemon trees and lavender
Smiling at the olives and grapes that will become your oil and wine…
My liquid soul melts in the hot air
And becomes the good wind that spins all your windmills…
My fragile sunburnt soul
Throws itself into the sea with the crying seagulls
And gets born again from the foam and the ashes of all dormant volcanos…
My silent soul laughs at the sight of your eyes, you must be sure of that…
And when it gets tired it returns like a child
To sleep, wrapped and clean, inside the most hidden drawer
Waiting for you to open it again.
—————————————————————————————
Sufletul meu descult paseste pe vechile tale strazi pietruite
Odihnindu-se tacut in fata Sfintei Intelepciuni…
Rataceste ca un somnambul printre lamai si lavanda
Zambind maslinelor si strugurilor ce vor deveni uleiul si vinul tau…
Sufletul meu lichid se topeste in aerul fierbinte
Si devine vantul bun care invarte toate morile tale de vant…
Sufletul meu fragil parjolit de soare
Se arunca in mare cu pescarusii tipand
Si se naste din nou din spuma si cenusa tuturor vulcanilor adormiti…
Sufletul meu mut rade la vederea ochilor tai, fii sigur de asta
Si cand oboseste se intoarce ca un copil
Sa doarma , impaturit si curat, in cel mai ascuns sertar
Asteptand ca tu sa il deschizi din nou.
Memyselfandela, 2010
Photo: photobucket
Dvorak – Rusalka – Song to the Moon
Czech Lyrics
Mesiku na nebi hlubokem
Svetlo tve daleko vidi,
Po svete bloudis sirokem,
Divas se v pribytky lidi.
Mesicku, postuj chvili
reckni mi, kde je muj mily
Rekni mu, stribmy mesicku,
me ze jej objima rame,
aby si alespon chvilicku
vzpomenul ve sneni na mne.
Zasvet mu do daleka,
rekni mu, rekni m kdo tu nan ceka!
O mneli duse lidska sni,
at’se tou vzpominkou vzbudi!
Mesicku, nezhasni, nezhasni!
English Translation
Moon, high and deep in the sky
Your light sees far,
You travel around the wide world,
and see into people’s homes.
Moon, stand still a while
and tell me where is my dear.
Tell him, silvery moon,
that I am embracing him.
For at least momentarily
let him recall of dreaming of me.
Illuminate him far away,
and tell him, tell him who is waiting for him!
If his human soul is in fact dreaming of me,
may the memory awaken him!
Moonlight, don’t disappear, disappear!
Here / Aici
You can reach from your distant world
my caged sea of dreams
and my head resting on your sands, in a thought.
Hungry eyes gaze full of unspoken stories
lost in this wind, flying, diving, jumping
in this phase of time that belongs to us.
Memories, white and blue
embrace your bones, fill up my breath
dissolving in this finest infusion of light.
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Poți atinge din lumea ta îndepărtată
mare mea de vise incuiate
și capul meu rezemat pe nisipurile tale, într-un gând.
Ochi înfometați privesc plini de povești nespuse,
pierduți în acest vânt, zburand, scufundându-se, sărind
în această fază a timpului care ne aparține.
Amintiri, albe și albastre,
îmbrățișeaza oasele tale, umplu respirația mea
dizolvandu-se în aceasta minunata infuzie de lumină.
63 words, memyselfandela/ Adela Galasiu June 2014
Photo: Adela Galasiu, May 2014
The Trees, Eugenio Montejo
“The earth turned to bring us closer,
it spun on itself and within us,
and finally joined us together in this dream
as written in the Symposium.
Nights passed by, snowfalls and solstices;
time passed in minutes and millennia.
An ox cart that was on its way to Nineveh
arrived in Nebraska.
A rooster was singing some distance from the world,
in one of the thousand pre-lives of our fathers.
The earth was spinning with its music carrying us on board;
it didn’t stop turning a single moment
as if so much love, so much that’s miraculous
was only an adagio written long ago
in the Symposium’s score.”
Eugenio Montejo, The Trees
Rhapsody in Blue – Be Passionate, Be True, Be You!
Today I offer you a rhapsody from my heart. An effusively rapturous and extravagant discourse. My expression of enthusiasm and praise for a musical piece that I absolutely madly deeply adore.
Whoever has read my blog in the past knows that I am passionate about Gershwin’s Rhapsody in Blue. I have written about it in the past and I listen to it every once in a while when I am happy or when I recharge my inner batteries. Yesterday, as I read one very surprising comment on my blog, I have realised that I have never taken the time to put together all the reasons why I love this musical piece so very much.
The comment came from a BBC Radio 4 producer who is researching for a programme about Gershwin’s Rhapsody in Blue. I was first of all completely surprised that my post about Gershwin even showed up in an online search. But it was even more exciting for me when I had the joy to discuss on the phone with the producer and I was asked what feelings this particular piece of music awakens in my memory and heart.
If I want to explain what I feel about it I need to rewind my whole life. My memories of it start in childhood when I heard this piece on the radio and have simply fallen in love with it. Coming from a family that loved music, I have listened to both classics and modern music as I grew up. I have fed my spirit with opera played on old magnetic cassettes, with Chopin and Beethoven, with Ravel and Vivaldi, just like I have fed my soul later on in my life with the music of the 80’s and the rock music. When I was a child music was a great joy for us, as in the communism we did not have access to all the variety of entertainment that one can experience now. It was only natural that I fell in love with this piece that infuses Jazz, Impressionism and classical elements molten in a 20th Century romantic theme offered with brittle and quirky interruptions.
This appreciation for the Rhapsody in Blue has continued throughout all my life. Every time when I was defeated and low I have sat and listened to it. Unlike other people with linear lives I have been through many changes, I have witnessed a lot of pain, loss, death, suffering, but also love, joy, sacrifice and hope. Wherever things were worst in my family I was present. Throughout this all, whenever I have listened to this piece of music I have added another pearl of feeling to what has become now a very long string. To me it is now not only music, but a masterpiece and pure beauty. And because it has been with me through it all, happy moments, sad moments and great changes, it has become a part of me and a symbol of life itself.
When I say life I don’t mean only good things. Life has many layers, ups and downs, just like the human mind and heart. There are many shades and colours, numerous moments of darkness and light that create the clear image of our multidimensional reality, a rich kaleidoscope of feelings, moments, images and sounds that create a whole.
Many people don’t know that this piece of music was a commission and that it has been written in a train. This may sound uninteresting for some, what is a train you may say. Well, for me a train means volumes. My father has passed away in a train. I have loved travelling by train all my life. Even now the train is my favourite transportation to wherever I go. It brings memories, it revives moments in my past, it is also (for those who believe that dreams have a meaning) a symbol of change, passage and novelty in one’s life. Gershwin says himself: “It was on the train, with its steely rhythms, its rattle-ty bang, that is so often so stimulating to a composer – I frequently hear music in the very heart of the noise… “. He is right, it often happens to me too to hear the tune in the noise…
Rhapsody in Blue was a challenge because it was created in a very short period of time, against the clock, by a young and ambitious Gershwin that didn’t want someone else to steal his idea. This speaks volumes for me again. Under a similar pressure I have left Romania and started a new life in a moment when I felt I must do and I can do more with my life. I was young, ambitious and a bit unaware of what life may bring. But I didn’t care, I had only one thing in my mind- I wanted to make it. I think it is out of such moments of determination that meaningful things get born.
Did you know that the original title was “American Rhapsody”? In the end the title of this piece was inspired by two famous paintings of James Whistler of which one, “Nocturne In Blue And Green of the Thames at Chelsea”, has been rejected and misunderstood in the beginning because it was too modern for the moment when it was offered to the public. There are people who, despite of being rejected for their ideas or passion, carry on and believe in their dream until one day that dream proves to be an extraordinary thing. They may not see all the staircase, but they go up step by step, they simply have faith. It is not easy to believe in your own value when maybe nobody else does, yet being consistent in your efforts brings great results in the end.
Gershwin was not conservatory trained, an awareness of which he carried with him to his grave, and something his arch critics would never allow future students of the piano to forget. Yet, no conservatory teaches talent, so nothing can stand in front of Gershwin’s unique style and genius. Pianists have consistently interpreted Gershwin somewhere between the classicism of Chopin and the 20th Century romanticism of Rachmaninoff, but when it comes to Gershwin’s strict rhythms, what is not heard is more important than what is, for it is the magic of the split-second spacing between the notes that brings Gershwin’s Rhapsody to life in a melodic thread woven itself into a masterpiece.
The Rhapsody, with its composer as soloist, was premiered in front of a packed house that included Rachmaninov, Kreisler, McCormack, Godowsky, Sousa, Heifetz and Stokowski. Even the ones that later did not like it when it was first presented to the public and said it would have been “structurally flawed” have categorised it as a “sentimental” piece. It is as melancholic as my Romanian soul and it is full of feeling and light. It is sad at some points. It is happy, rhythmic and improvised too. Through all these characteristics it is ALIVE. If you would listen to only a part of it, if you would take a bit out of it, if you would listen to it all it would be just as alive, and that is amazing. It is a series of stories put all together, a series of songs that match perfectly in a single, uninterrupted composition of continuous and extravagant enthusiasm.
I have listened to it through various moments in my life and I have understood it in different ways. It speaks to me of happy childhood years. The first clarinet trill reminds me of a new beginning, of a new day, of sunrise. I am an animation movie lover, so when I have seen it translated into image by Disney’s Fantasia 2000 I have added even more meaning to it, as I thought that the animation is a perfect illustration for the hope trapped inside this fabulous piece of music. And I will always remember how I danced on this piece with the man I love. In a moment in time, in a quiet evening, in a quiet flat, in a quiet neighbourhood in London he has taken my hand in his hand and we have danced on this wonderful rhapsody. Our souls were dancing too, we were happy, the heart was full, the world was in the right place and we were in the right feeling.
I love Rhapsody in Blue for many reasons, for the sweet sentimental parts, for the crescendos, for the vivid pace, for the epic dimension of it, for the jazz veins and the classical bursts. My interpretation of it is perfectly subjective, I see it through the lenses of my own soul, maybe different than other people. But for me it represents life itself seen through the eyes of an optimist. Unflawed and tightly woven, with its early 20th Century innocence and brilliant musical statements taken in and out of the performers and listeners souls, Rhapsody in Blue is for me a personal stairway to paradise.
Photos: “Blue”, Adela Galasiu 2013
1500 words, memyselfandela, January 2014
More about Gershwin : Gershwin plays Gershwin – Rhapsody in Blue – posted in April 2012
BBC Radio 4 – Soul Music – The stories behind pieces of music with a powerful emotional impact. http://www.bbc.co.uk/podcasts/series/soulmusic
The Book of Eli
Most people don’t know that I used to be, many years ago, a movie devourer. And when I say this I mean it. My love for movies has started when my late father started to take me to the cinema. In a communist country one could not see much on TV, but what was extraordinary in those times was that people were getting tickets to the “Cinemateca”, a cinematographic phenomenon that has impregnated my memories from early childhood. I remember going with my parents and seeing many art movies, western movies and movies one could have never got to see on TV.
Many years later I have rediscovered the cinematography dream as the communism has died and the Romanians were able to get free access to any movie one could dream of. Throughout the years I must have watched hundreds of movies of all genres. Then life took it’s toll and I didn’t have the time for this passion till recently when I got back to my roots.
One of the movies I have seen not a long time ago (but long after being released) is “The Book of Eli”. And what I made of it is a very personal statement and very subjective thing.
It is a post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind. “The Book of Eli” is not a commercial movie. It has griped my attention throughout the story and it has thrown at me some surprise moments that have made everything in the entire movie more surreal.
Eli, a lone wanderer, has been walking west across the devastated landscape of America for 30 years, on his way to the sea. 30 years is a lifetime. 30 years is a metaphor. 3 is a sacred number, a divine number and 30 is almost the age a man should have had in order to be considered an adult in the Old Testament. This speaks to me of the path of a man in a hard life, of the sacrifices one needs to make just to find his way.
How does Eli know he’s walking the right way? “Faith,” he says. This simple reply takes on added resonance later in the film. But also speaks volumes to those that think that life is more than just a physical existence. If life has a greater purpose and we all have a destiny, the difficult and dry part of it is to actually find that purpose and fight for it.
Eli is indeed a great fighter as he needs to be in order to survive after witnessing the catastrophe that has wiped out most of the Earth’s population and left behind ruin, desolation, victimized humans and roaming motorcycle gangs of hijackers and thieves. The Hughes brothers, Albert and Allen, film this story in sunburned browns and pale blues, creating a dry and dusty world under a merciless sky. Water is treasure. There’s no exuberance in this world, only survival. There’s no great joy in Eli’s life, maybe only the solemn joy of reading his book and hearing music long forgotten by most others. This wasteland Eli treks at an implacable pace. Set upon in an ambush, he kills all his attackers. He’s got one of those swords that makes a unique noise all by itself, so you can consider him a one-man army.
Washington and the Hughes brothers do a good job of establishing this man and his world, and at first, “The Book of Eli” seems destined to be solemn. But then Eli arrives at a Western town ruled by Carnegie , who, like all the local bosses in Westerns and gangster movies, sits behind a big desk flanked by a tall bald guy and, of course, a short scruffy one. In this town, desperate and starving people live in rusty cars and in the streets. We meet Carnegie’s abused wife Claudia and her daughter Solara, a prostitute in Carnegie’s bar. He controls everybody by fear and manipulation.
Carnegie needs Eli because he has maybe the last remaining copy of a book believed to allow the expansion and rule over many more towns. “RELIGION IS POWER” Carnegie says, and this phrase makes it even more clear that we talk about the last Bible on the face of Earth and about the thirst of domination rising in the human mind.
The third act seems to be taken out of many Westerns in which the hero and the girl hole up and are surrounded. That allows countless beams of sunlight to shine in the dusty atmosphere and work as a metaphor. It can be the hope in the darkness of soul and mind. It can be breaking the rules and going beyond Eli’s limits to make a dream and life mission come true. The image of Eli walking numb by the side of the street after being shot reminds of the incredible resistance of the human spirit in the worst conditions.
Populated by a vivid imagery , the movie has a magnificent ending , unpredictable and almost implausible, breaking apart from the movie and having a life of its own. The human mind and soul can be the carrier of a dream. The dream of transmitting a message to another generation, the dream of a better world born out of ashes. If there’s a message at the end of this movie that can only be that hope never dies and one should never give up his dream.
930 words, memyselfandela, January 2014
Silence
heavy white snows of silence fall like a blessing
covering us when you hold me,
my heart, pressed flower that will never decay
between your secret pages.
dreams flow across my burning sky of night
and all the nightmares fade when you look my way.
rebelling fears fall aside silent, broken, cursed to die
in forgotten corners where anguish dwells.
on heavenly strings my soul plays the unheard ode
of all my universe getting born again and again,
blooming as I close my eyes and melt in the sweetest sleep,
safe in your arms, hidden in soul, home at last.
100 words, memyselfandela, December 2013
Walking In The Air
Come dance on countless whispers, in the pure atmosphere
High above, beyond all worries.
The same lonesome trumpet illuminates my night
Come float with me beyond all words.
I won’t forget you, weary soul
In this dimension where we found each other.
If I would turn the distance in a golden thread
It would lead me far away to the moon.
Our clay existence, the cage of our bodies are nothing
In this realm where our deepest thoughts ignite.
Sleepless nights sublimated in the dark shadow under your loving eyes
Will never ever keep you from floating in the air.
100 words, memyselfandela, November 2013
Photos: memyselfandela, November 2013
Reverie
Eyes on this big eyed moon
I bathe in silence
Looking at you
My dreaming love.
Lost in a silver reverie
Only this moon remembers how I missed you
How many times I lost you in past lives
Dying in torments just to be born and get back to you.
Dripping away her blues from the sky
The moon smiles
And my soul shines
For you’re always here with me.
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70 words, memyselfandela, 2013
Claude Debussy : Clair de Lune, for Piano (Suite Bergamasque No. 3), L. 75/3
The Flower Duet
“Sous le dôme épais où le blanc jasmin
A la rose s’assemble
Sur la rive en fleurs riant au matin
Doucement glissons de son flot charmant
Suivons le courant fuyant
Dans l’onde frémissante
D’une main nonchalante
Viens, gagnons le bord,
Où la source dort et
L’oiseau, l’oiseau chante.
Sous le dôme épais ou le blanc jasmin,
Ah! descendons
Ensemble!
Sous le dôme épais où le blanc jasmin
A la rose s’assemble
Sur la rive en fleurs riant au matin
Viens, descendons ensemble
Doucement glissons de son flot charmant,
Suivons le courant fuyant
Dans l’onde frémissante
D’une main nonchalante
Viens, gagnons le bord
Où la source dort et
L’oiseau, l’oiseau chante.
Sous le dôme épais ou le blanc jasmin,
Ah! descendons
Ensemble!”
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“Under the dome where white jasmine
With the rose entwines
On a river bank covered with flowers laughing in the morning
Gently floating on it’s charming risings
On the river’s current
On the shining waves
One hand reaches
Reaches for the bank
Where the spring sleeps and
The birds, the birds sing.
Under a dome of white jasmine
Ah! calling us
Together!
Under the dome where white jasmine
With the rose entwines
On a river bank covered with flowers laughing in the morning
Let us descend together
Gently floating on it’s charming risings,
On the river’s current
On the shining waves,
One hand reaches,
Reaches for the bank,
Where the spring sleeps,
And the birds, the birds sing.
Under a dome of white jasmine
Ah! calling us
Together!”
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translation: memyselfandela, 2012
Richard Galliano & Astor Piazzolla – Le Songe d’une nuit d’été (Ouverture)
Ouverture du “Songe d’une nuit d’été” de William Shakespeare.
Composée par Astor Piazzolla et interprété par Richard Galliano.
the light
days of silence will follow
and nights of sadness
and dreams of agony
but remember, always:
do not lose hope
there’s a light that never dies.
To Blossom Blue – Lake Of Tears
“I’m bleeding, I’m bleeding in ways of the fire burned.
I’m crying, I’m crying in ways of the nightbird.
No more is there one to lay by my side.
I’m straying, I’m straying in nightmares all the time.
A little something I know,
A little somewhere I go,
Reminds me of you.
To blossom blue is to blossom without you.
To blossom blue…
I’m breaking, I’m breaking but I cannot bear to.
I’m staring, I’m staring but I cannot see you.
For no more are you to lay by my side…
I’m weeping, I’m weeping no more then this second time.
A little something I know,
A little somewhere I go,
Where the sweet waters flow,
Reminds me of you…
A little something I know,
A little somewhere I go,
Where the sweet waters flow,
Where the mistletoes grow,
Reminds me of you.
To blossom blue is to blossom without you.
To blossom blue is to blossom without you.”
misty dream
drifting in the night
stretching my hand to reach you
trapped in misty dream
I always see your shadow
Phoenix rising from ashes
tomorrow
I light my thoughts one by one
trying to smoke my darkness
my hand burns still on your heart
there, were I stopped pulsating
mountains of unspoken, dead rivers of tears
broken hopeless bridges
mere ordeal suffocating your heartbeat…
close you eyes. rewind. tomorrow we get born again
Here I love you.
“Here I love you.
In the dark pines the wind disentangles itself.
The moon glows like phosphorous on the vagrant waters.
Days, all one kind, go chasing each other.
The snow unfurls in dancing figures.
A silver gull slips down from the west.
Sometimes a sail. High, high stars.
Oh the black cross of a ship.
Alone.
Sometimes I get up early and even my soul is wet.
Far away the sea sounds and resounds.
This is a port.
Here I love you and the horizon hides you in vain.
I love you still among these cold things.
Sometimes my kisses go on those heavy vessels
that cross the sea towards no arrival.
I see myself forgotten like those old anchors.
The piers sadden when the afternoon moors there.
My life grows tired, hungry to no purpose.
I love what I do not have. You are so far.
My loathing wrestles with the slow twilights.
But night comes and starts to sing to me.
The moon turns its clockwork dream.
The biggest stars look at me with your eyes.
And as I love you, the pines in the wind
want to sing your name with their leaves of wire. ”
Pablo Neruda
memyselfandela 